Sign up to Filmstro and follow us on our Twitter, Facebook and our YouTube channel. We have many more articles on our blog page. Will give you a sleek and pristine finish to your footage, saving you time and Overall, using some of the Final Cut Pro LUTs Implement once production has been completed. That has the style and colour grading already preset to your liking, ready to LUT you save time and speed up the post-production process. You bring it into Final Cut Pro X providing you with a defined finish to theĬan master your own style of colour grading. This means the LUT transforms your footage when Into your output values (the final film). ![]() It is essentially, a predetermined set of numbers that areĬomputed into the file that converts your input values from the camera filming The fastest color grading software for Final Cut Pro. In mid-2013 I did a two-Insight series on breaking down Final Cut Pro X’s Color Board.Firstly what is a LUT? Simply put a LUT is knownĪs a ‘Lookup Table’. We’ll also look at supplementing the FCPx interface with a super-useful image evaluation tool that has shipped with every Mac for over 20 years! Related Insights This Insight will focus on making our Primary corrections and understanding the Order of Operations I’ll be advocating for working in FCPx.Īt the moment I’m ignoring the Auto-Balance function… but we’ll probably discuss it later in the Challenge. Final Cut Pro X: Primary Color Corrections and Order of Operations In other words: rather than handing you a fish filet, I’m teaching you how to catch a fish and then use a knife to trim it. Once you understand How and Why I approach FCPx the way I do, you’ll be able to do this same thing for ANY color grading app you use. ![]() But knowing how I created my workflow? Knowing why I make the recommendations I do? The point of this series is to teach you how I break down toolsets to help me understand how to develop a workflow in the first place!Īnd since each of us has a different workflow, we’ll develop different strategies to solve our unique workflows. The point of this series isn’t to provide the Single Definitive Final Cut Pro X Color Correction workflow. FINAL CUT PRO TRANSITIONS If you feel like a simple cut or dissolve is not enough and you need a quick way to make your edit look modern and snappier, look no further. Adopt my thinking, Adapt to your workflow This series will show you how I’d approach it.Īnd it all starts by breaking down the toolset to develop a workflow. I’ll say this up-front: If I had to grade in FCPx and do high-quality work that I can be proud of… I could do it. I’m approaching this Challenge by answering: How do I transfer my DaVinci Resolve and SpeedGrade habits to FCPx, while being restricted to its (more limited) toolset. This is a short series of Insights where I show you how I evaluate Final Cut Pro X’s image processing pipeline to help you make smart decisions about which FCPx tools to use and when.Īs if I were stuck on a desert island, I’ll restrict myself to using ONLY the native filter set in FCPx (at the end of this series I’ll explore the question: If I could only bring 1 color correction plug-in, which would it be?) Here’s the color correction equivalent: If you were stuck on a desert island with only Final Cut Pro X-and no plug-ins-and a project you had to color correct, how would you go about it? Welcome to the Final Cut Pro X Color Correction Desert Island Challenge ![]() You know the question: If you were stuck on a desert island and could only bring one book/record/movie, what would it be? Tutorials / FCPX Desert Island Challenge / Final Cut Pro X Color Correction Desert Island Challenge Seriesĭay 6: 25 Insights in 25 Days Holiday Marathon What is a ‘Desert Island Challenge?’
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